The Tale of Rusty Wren — Reading Companion

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In Category - School Stories
Bailey, Arthur Scott, 1877-1949, Smith, Harry L. (Illustrator) [Illustrator] Project Gutenberg 2008 Not confirmed
Animals -- Juvenile fiction; Conduct of life -- Juvenile fiction; Wrens -- Juvenile fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 18,034
Reading time 79 min
Text sections 3

This digital edition of The Tale of Rusty Wren — Reading Companion is described by source-level measurements including 18,034 words, 1 hr 19 min estimated reading time, and 3 detected text sections.

The text analysis averages about 14.3 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Animals -- Juvenile fiction,” connecting these edition facts with the source record’s subject description.

Arthur Scott Bailey's 1917 story follows Rusty Wren's struggles to find a suitable home and raise his family near the farmhouse, with a narrative voice that shifts from brisk dialogue to descriptive tension, and a pace that quickens during the 'Boy Wanted' episode.
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Editorial Edition Score 4.5/5

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  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
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Read the Text

Everybody said it certainly was odd, for the wren always sang as soon as it began to grow light.

Well, that night Farmer Green went to bed before dark, declaring that he must be up bright and early in the morning.

"I wish that new clock I brought home day before yesterday was an alarm clock," he said. "Then I wouldn't have to worry about waking up on time.... Anyhow, I ought to hear the wren again to-morrow morning."

But Farmer Green hoped in vain. Though the cat had not caught Rusty, and he had not moved away, either, he no longer sang beneath Farmer Green's window at dawn.

For three mornings he had gone to the orchard to trill his dawn song; and though they did not know the reason, that was why the Green family rose late for three mornings running.

Once Rusty Wren had been proud to be called Farmer Green's alarm clock. But now something had happened that made him resolve to stop waking the household.

It was all on account of one of those surprises that Farmer Green had brought home from the village. For without intending to do any such thing, Farmer Green had surprised Rusty Wren as well as Johnnie and his mother.

Now, a surprise may be one of two kinds--pleasant or unpleasant. And, strangely enough, the very thing that delighted the Green family sent Rusty Wren into a spasm of jealous rage.

Of course, it was very silly of him to lose his temper. But he was too upset to stop to think of that.

Farmer Green had not been home long, after his trip to the village, when Rusty Wren heard a sound that for once made him keep quite still for at least five seconds.

"Cuckoo! cuckoo!" The cry came from inside the farmhouse. And since the windows were wide open, Rusty could easily hear it from the tree near-by, where he lived.

"There's a new bird in there!" Rusty Wren exclaimed to himself as soon as the sound reached his ears. He listened intently. But the call was not repeated.

"Farmer Green is not satisfied with my singing!" Rusty cried. And thereupon he flew into such a rage that when his wife came home, a few minutes later, she was actually frightened.

"What in the world is the matter?" she asked her husband anxiously.

"Matter?" cried Rusty Wren. "Here I've sung my best for Farmer Green all summer, and waked him at dawn every morning without fail! And what do you suppose he's done? He has brought home a strange bird from the village, because he doesn't care for my singing."

Mrs. Rusty Wren told her husband that he must be mistaken.

"Maybe a bird flew inside the farmhouse by accident," she said. "What kind of bird is it?" she inquired.

"It _said_ 'Cuckoo!'" Rusty explained. "But if it's a cuckoo, it's different from any other I've ever heard. You know yourself that Black Bill Cuckoo who lives in the bushes beyond the orchard says '_Cow, cow!_'"

"I wouldn't worry, if I were you," Mrs. Rusty advised her husband. "No doubt this strange bird has already made his escape."

It was then after sunset. And soon Rusty Wren's family were all fast asleep, without having heard any more bird notes from the farmhouse.

The next morning Rusty awoke just as the first streaks of gray showed in the east. He was about to begin his dawn song when through the kitchen window came that "Cuckoo! cuckoo!" again.

Rusty knew then that the strange bird was still there.

"Did you hear that?" he asked his wife.

She nodded her head silently.

"He's telling Farmer Green that it's time to get up!" Rusty exclaimed indignantly. "And since Farmer Green has seen fit to get somebody else to wake him, I certainly shall not trouble myself on his account any more."

So Rusty Wren flew away to the orchard to sing his dawn song. Jolly Robin, who lived there, in an old apple tree, was surprised to hear Rusty Wren singing in that neighborhood so early. And he was still more astonished at Rusty's melody.

His voice was so much shriller than usual that Jolly Robin knew instantly that something had displeased him.

"What's happened to upset you?" Jolly Robin inquired, after Rusty had finished singing.

"I expect to come here and give my dawn song every morning," Rusty remarked. "And if there's anybody living in the orchard that objects, he had better move away at once."

Of course Jolly Robin didn't want to do that. And he said as much, too.

"But I hope you'll sing a little more happily," he told Rusty, "because I don't like to hear people complaining--and neither does my wife."

The narrative voice in The Tale of Rusty Wren moves briskly through domestic negotiations and sudden crises. Early on, Rusty and his wife debate nesting sites with clipped, decisive dialogue—Rusty's "That won't do" and his wife's insistence on living near the farmhouse establish a pattern of marital negotiation that recurs throughout. The pace accelerates markedly when Rusty posts a "Boy Wanted" sign outside his home, drawing a series of unsuitable applicants. The story's rhythm shifts from calm description to urgent, almost farcical encounters, as when Fatty Coon and Tommy Fox arrive at midnight to find the sign already taken down.

Dialogue as a Driver of Pace

Bailey uses dialogue to control tempo. In the opening chapter, Rusty and his wife trade short, pointed lines that quickly resolve the nesting dispute: she wants a farmhouse location; he vetoes the shutter idea with a practical objection about falling eggs. The back-and-forth is rapid, with minimal narration between speeches. Later, when Rusty interviews Chippy, Jr., the exchange is polite and measured—"Good-evening!" and "I see you want a boy"—slowing the pace to a courteous crawl. But when an English sparrow jeers at Rusty, the dialogue turns sharp: "I'm very glad I'm not going to work for you," followed by a "jeering laugh." These tonal shifts in conversation mark changes in narrative speed, from domestic calm to social tension.

Voice Through Repetition and Catchphrases

Rusty Wren's voice is partly built from repeated phrases and characteristic responses. He shakes his head "quickly—and with decision" when rejecting the shutter idea, a mannerism that signals his firmness. His wife, Mrs. Rusty, often has the last word: she "made the matter so plain that Rusty knew there was no use of trying to change her mind." The narrator also uses formulaic tags like "said Rusty Wren" and "observed" to maintain a consistent storytelling rhythm. The sign "Boy Wanted" becomes a recurring verbal motif, appearing in chapter titles and dialogue alike, anchoring the middle section's comic urgency. These repetitions give the prose a patterned, oral quality suited to the Tuck-Me-In Tales series.

Structural Pacing: From Home-Seeking to Hiring

The book's three-part structure—home selection, domestic crisis, and hiring a helper—creates a clear arc of accelerating pace. The first chapters move slowly, with Rusty and his wife inspecting potential nests and debating location. The middle chapters introduce the alarm clock incident and Rusty's jealousy, quickening the tempo through a series of small conflicts. The pace peaks when Rusty posts the "Boy Wanted" sign: a parade of callers arrives, each encounter briefer and more absurd than the last. The midnight visit by Fatty Coon and Tommy Fox, who find no sign, is a comic crescendo. After Chippy, Jr. is hired, the pace relaxes into steady domestic routine, signaled by Rusty sleeping "more soundly" than he had in days.

Readers attentive to voice will notice how Bailey varies sentence length to mirror emotional states: short, clipped lines during arguments, longer descriptive passages when Rusty is content. The frequent use of dashes and exclamation marks in dialogue heightens the sense of immediacy. Pay particular attention to the way Mrs. Rusty's warnings—"this is going to lead to trouble"—foreshadow later accidents, a subtle narrative device that rewards careful reading.

That rainy afternoon, Rusty Wren’s desperate search for a nest made me think about how we all just improvise our homes. When the rain finally let up, I found myself reaching for The Camp Fire Girls on the Open Road; Or, Glorify Work — Edition Insights, and it felt like the same story, told differently—learning to make do with what the road hands you.

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